Strate­gic Arts Ini­tia­tive 2.0, in­for­ma­tion on the works

Short information texts about the works in the Strate­gic Arts Ini­tia­tive 2.0 exhibition, part of the 'We Are All Crew' Blowup Reader.

Novem­ber 3-5, 2011

A co-​pre­sen­ta­tion by In­ter­Ac­cess Elec­tron­ic Me­dia Arts Cen­tre and V2_ In­sti­tute for the Un­sta­ble Me­dia, Rot­ter­dam, in con­junc­tion with McLuhan100 and McLuhan in Eu­rope 2011.

De-​Cou­pled

Doug Back

2011

Par­tic­ipants clip a heart rate de­tec­tor on­to their fin­ger. While the par­tic­ipant’s heart is be­ing mon­itored, their pulse is sent over the In­ter­net to a cir­cuit in the re­mote lo­ca­tion. The pulse con­trols a small wa­ter pump in the re­mote lo­ca­tion and pro­duces a “sploosh” of wa­ter.

Knock Knock

Carl Ham­felt and Lau­ra Kikau­ka

2011

A par­ody of com­mu­ni­ca­tion as a plumb­ing sys­tem. Strangers tap the night away on a trans-​At­lantic plumb­ing ad­ven­ture.

In­ter­na­tion­al Feel

David Roke­by

2011

Two iden­ti­cal sys­tems are linked via the In­ter­net. Each sys­tem mon­itors their lo­cal space us­ing a Kinect sen­sor and sends a spa­tial rep­re­sen­ta­tion of par­tic­ipants in the space to the re­mote lo­ca­tion. This rep­re­sen­ta­tion is vir­tu­al­ly pro­ject­ed in­to space as a struc­ture of in­ter­ac­tive sound pos­si­bil­ities. When par­tic­ipants in one lo­ca­tion come in­to con­tact with the vir­tu­al body of par­tic­ipants in the re­mote space, they hear the sounds of that in­ter­ac­tion.

Dis­placed Per­spec­tives 2.0

Gra­ham Smith

1986 & 2011

Dis­placed Per­spec­tives 2.0 al­lows view­ers to ex­plore dis­tant en­vi­ron­ments through the video eyes of a re­mote­ly con­trolled robot. The robot us­es the same scan­ning pro­cess peo­ple use. It is the def­ini­tion of net­worked com­mu­ni­ca­tion: many small pieces mak­ing up some­thing greater than the whole.

Tele­phon­ic Arm-​Wrestling

Nor­man White

1986 & 2011

Tele­phon­ic Arm-​Wrestling is a de­vice that en­ables par­tic­ipants on dif­fer­ent con­ti­nents to arm-​wres­tle with each oth­er via mo­tor­ized mech­anisms that trans­mit and re­ceive kines­thet­ic in­for­ma­tion.

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