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  <title>Organizations</title>
  <link>http://v2.nl</link>

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            <syn:updatePeriod>daily</syn:updatePeriod>
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            <syn:updateBase>2009-05-11T13:09:36Z</syn:updateBase>
        

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  <items>
    <rdf:Seq>
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/het-nieuwe-instituut"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/isea"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/syndicate"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/slp"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/visible-collective"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/rotterdam-snaar-project"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/the-human-beings"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/shaolin-wooden-men"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/dellbrugge-de-moll"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/dasarts"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/rhizome-org"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/jennifer-kevin-mccoy"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/la-fura-dels-baus"/>
      
      
        <rdf:li rdf:resource="http://v2.nl/archive/organizations/kibla"/>
      
      
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  <item rdf:about="http://v2.nl/archive/organizations/het-nieuwe-instituut">
    <title>Het Nieuwe Instituut</title>
    <link>http://v2.nl/archive/organizations/het-nieuwe-instituut</link>
    <description>Het Nieuwe Instituut, or The New Institute is an organization for E-culture, Architecture, and Design.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Het Nieuwe Instituut / The New Institute is a fusion of these three institutes:</p>
<p>Dutch Architecture Institute (NAi)<br />Premsela, Dutch Institute for Design and Fashion<br /><a title="Virtueel Platform" class="internal-link" href="virtueel-platform">Virtueel Platform</a>, knowledgde institute for e-culture</p>
<p>Het Nieuwe Instituut / The New Institute exists since January 2013.</p>
<p>Meer info: <a class="external-link" href="http://www.hetnieuweinstituut.nl">www.hetnieuweinstituut.nl</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Arie Altena</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>architecture</dc:subject>
    
    
      <dc:subject>design</dc:subject>
    
    
      <dc:subject>e-culture</dc:subject>
    
    
      <dc:subject>knowledge institute</dc:subject>
    
    
      <dc:subject>organization</dc:subject>
    
    
      <dc:subject>policy</dc:subject>
    
    <dc:date>2013-05-21T11:30:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/isea">
    <title>ISEA</title>
    <link>http://v2.nl/archive/organizations/isea</link>
    <description>ISEA is a cultural organisation.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Founded in the Netherlands in 1990, ISEA International (formerly 
Inter-Society for the Electronic Arts) is an international non-profit 
organisation fostering interdisciplinary academic discourse and exchange
 among culturally diverse organisations and individuals working with 
art, science and technology. The main activity of ISEA International is 
the annual International Symposium on Electronic Art (ISEA).</p>
<p><strong>Inter-Society for the Electronic Arts (ISEA)</strong><br />Membership association, aiming at cooperation between all electronic art institutions. Was responsible for the continued occurrence of The International Symposia on Electronic Art (ISEA symposia). Became inactive in 2008 and was prededed by ISEA International.<br /><br /><strong>ISEA International</strong><br />Foundation responsible for the continued occurrence of The International Symposia on Electronic Art. HQ in Brighton, UK.<br /><br /><strong>International Symposium on Electronic Art</strong><br />Annual nomadic symposium, originated in the Netherlands in 1988.<br /><br /><strong>ISEA-NL</strong><br />Dutch foundation occasionally active as a Dutch branch of ISEA International. Took the initiative for and participated in the first DEAF Festival.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>cultural_organisation</dc:subject>
    
    
      <dc:subject>1994</dc:subject>
    
    
      <dc:subject>deaf94</dc:subject>
    
    <dc:date>2013-03-14T15:15:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/syndicate">
    <title>Syndicate</title>
    <link>http://v2.nl/archive/organizations/syndicate</link>
    <description>Network for media culture and media arts, initiated in 1996.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><em>Individually, we are rather weak when it comes to negotiating with funding bodies and governments about support for new media and electronic art projects. However, if we could join up and form something like a syndicate, then we would be able to speak with one voice when it is strategically necessary, and become more powerful than we are now.</em></p>
<p>Vladimir Muzhesky (Kiev) during the initial V2_East meeting at the end of the Next 5 Minutes conference in Rotterdam in January 1996.</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1996</dc:subject>
    
    
      <dc:subject>deaf96</dc:subject>
    
    
      <dc:subject>email</dc:subject>
    
    
      <dc:subject>list</dc:subject>
    
    
      <dc:subject>network</dc:subject>
    
    
      <dc:subject>v2_east</dc:subject>
    
    <dc:date>2012-08-28T14:30:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/slp">
    <title>SLP</title>
    <link>http://v2.nl/archive/organizations/slp</link>
    <description>SLP is a project, composed of four different Frankfurt-based groups.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>The six people who make up SLP come from the groups P16D4, S.B.O.T.H.I, LLL and Selektion. All these groups originated in the 80s, and the punk movement. These groups have, since then, released a number of albums under their own name, or on the Selektion label. Selektion is more like a coordinating organisation where musicians and visuals artists come together for collaboration projects.</p>
<p>&nbsp;</p>
<h3>Nederlands / Dutch text</h3>
<p>Hierbij experimenteren SLP met vier versterkte draaitafels. SLP diende 
als een soort verzamelnaam voor de bands P16.D4, S.B.O.T.H.I., LLL 
(video) en Selektion Optik, de overkoepelende organisatie. Selektion was 
ook het label waarop deze bands materiaal uitbrachten.</p>
<p>&nbsp;</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Sofia Bustorff</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1989</dc:subject>
    
    
      <dc:subject>project</dc:subject>
    
    <dc:date>2012-03-06T14:40:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/visible-collective">
    <title>Visible Collective</title>
    <link>http://v2.nl/archive/organizations/visible-collective</link>
    <description>Visible Collective is an artist collective. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Visible is a collective of Muslim and other artist-activists who work to challenge and undermine distorted and limited images that are held up by media outlets and governments. Directed by Naeem Mohaiemen, Visible includes Shahed Amanullah, Vivek Bald, Kristofer Dan-Bergman, Toure Folkes, Donna Golden, Amy Heuer, Aziz Huq, Sarah Husain, Ron Kiley, Anjali Malhotra, Sarah Olson, Ibrahim Quraishi, Anandaroop Roy, and Sehban Zaidi.</p>
<p class="discreet">Bio 2007.</p>
<div>&nbsp;</div>
<div><a class="external-link" href="http://www.disappearedinamerica.org/">http://www.disappearedinamerica.org/</a></div>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2007</dc:subject>
    
    
      <dc:subject>activists</dc:subject>
    
    
      <dc:subject>artist_collective</dc:subject>
    
    
      <dc:subject>citizenship</dc:subject>
    
    
      <dc:subject>deaf07</dc:subject>
    
    
      <dc:subject>paranoia</dc:subject>
    
    
      <dc:subject>security</dc:subject>
    
    <dc:date>2012-12-12T13:16:02Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/rotterdam-snaar-project">
    <title>Rotterdam Snaar Project</title>
    <link>http://v2.nl/archive/organizations/rotterdam-snaar-project</link>
    <description>The Rotterdam Snaar Project was Gerard van Dongen, Joe Williamson, Frank van Berkel and Kora Schmeiser.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Kora Schmeiser is a singer from Den Haag performing modern compositions plus she plays all that nice Baroque recorder stuff... also works in theatre with DoeDaDa. <br /><br />Double basses Joe Williamson finally packed his case and left 'New Dutch Swinging' Amsterdam for the 'musica heterdosa' of Berlin. He has played with Paul Termos, Tobius Delias, Leonid Soybelman, Kletka Red, and the unfundable Exiles band, among others.<br /><br />Frank van Berkel comes from Rotterdam and does the impro, impro rock thing with for example Han Buhrs and also his own Berkelband.<br /><br />Gerard van Dongen plays the prepared piano and all the electronics... He is a composer and improviser living in Rotterdam. He does a lot of solo work and plays with the acoustic Kwint and the electro acoustic impro Group Gates. He also writes music for theatre.<br /><br /></p>
<p class="discreet">source: <a class="external-link" href="http://www.jonroseweb.com/f_projects_string_em_up_rott.html">http://www.jonroseweb.com/f_projects_string_em_up_rott.html</a></p>
<p>&nbsp;</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1999</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>orchestra</dc:subject>
    
    
      <dc:subject>stringemup</dc:subject>
    
    <dc:date>2012-12-05T10:27:51Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/the-human-beings">
    <title>The Human Beings</title>
    <link>http://v2.nl/archive/organizations/the-human-beings</link>
    <description>The Human Beings are a Dutch band. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>The Human Beings are Bert van de Grift (NL) and Allert Aalders (NL).</p>
<p><a class="external-link" href="http://www.last.fm/music/Human+Beings">http://www.last.fm/music/Human+Beings</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>band</dc:subject>
    
    
      <dc:subject>1996</dc:subject>
    
    
      <dc:subject>deaf96</dc:subject>
    
    
      <dc:subject>migratedV1</dc:subject>
    
    <dc:date>2012-11-28T10:51:45Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/shaolin-wooden-men">
    <title>Shaolin Wooden Men</title>
    <link>http://v2.nl/archive/organizations/shaolin-wooden-men</link>
    <description>Shaolin Wooden Men stand for electronic, psychedelic rock.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Shaolin Wooden Men's identity is a well-kept secret. Rumor has it that 
they are based in Hong Kong, the city from where their releases reach 
the world. During DEAF96 the Shaolin Wooden Men were performing in 
Melbourne (Australia) and this performance could be seen in Nighttown 
through an Internet connection.</p>
<p><a class="external-link" href="http://archive.org/search.php?query=Shaolin%20Wooden%20Men%20AND%20collection%3Aopensource_audio">http://archive.org</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1996</dc:subject>
    
    
      <dc:subject>band</dc:subject>
    
    
      <dc:subject>deaf96</dc:subject>
    
    
      <dc:subject>electronic</dc:subject>
    
    
      <dc:subject>psychedelic</dc:subject>
    
    
      <dc:subject>rock</dc:subject>
    
    <dc:date>2012-11-27T07:55:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/dellbrugge-de-moll">
    <title>Dellbrügge &amp; De Moll</title>
    <link>http://v2.nl/archive/organizations/dellbrugge-de-moll</link>
    <description>Dellbrügge &amp; De Moll is a collective. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Christiane Dellbrügge and Ralf de Moll both studied at the Academy for Visual Arts in Karlsruhe and have been collaborating since 1984. Their work focuses on questions of reception, presentation and evaluation of art. It analyses the conditions which are constitutive for art, including their own role as artists. They respond to challenges searching for the adequate media and methods for each specific situation. The smarter the question the better their answer.</p>
<p><a class="external-link" href="http://www.workworkwork.de/">http://www.workworkwork.de/</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2001</dc:subject>
    
    
      <dc:subject>Wiretap</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    <dc:date>2011-01-31T11:50:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/dasarts">
    <title>DasArts</title>
    <link>http://v2.nl/archive/organizations/dasarts</link>
    <description>DasArts is a post-academic "think-and-do" tank for the performing arts based in Amsterdam. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><span class="Apple-style-span">
</span></p>
<div>
<p>Created in 1994, as a postgraduate course for the performing arts, DasArts is now the multidisciplinary master’s course in theatre of the Amsterdam School of the Arts (AHK).</p>
<p>It is a unique training laboratory with a broad conception of theatre. DasArts positions itself in the domain of the international performing arts.</p>
<p>The course challenges students to explore artistic limits and thereby to expand the horizons of both themselves and the art of theatre.</p>
<p><a class="external-link" href="http://www.dasarts.nl/">http://www.dasarts.nl/</a></p>
</div>
<p>&nbsp;</p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2002</dc:subject>
    
    
      <dc:subject>performance</dc:subject>
    
    
      <dc:subject>research</dc:subject>
    
    
      <dc:subject>theater</dc:subject>
    
    <dc:date>2009-11-28T12:30:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/rhizome-org">
    <title>Rhizome.org</title>
    <link>http://v2.nl/archive/organizations/rhizome-org</link>
    <description>Rhizome.org is a network. </description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>Rhizome.org was founded in 1996 to provide an online platform for the global new media art community. Their programs include email- and web-based discussions and publications, searchable archives for the preservation of new media art and texts, a new media art calendar, opportunity listings, a community directory, new media art commissions, web hosting, online education and outreach events. The Rhizome.org community is a geographically dispersed network of individuals and organizations, including artists, curators, writers, designers, programmers, students, educators and new media professionals.</p>
<p><span class="Apple-style-span"><a href="http://www.rhizome.org/" target="_blank">http://www.rhizome.org/</a></span></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>v2_lab</dc:subject>
    
    
      <dc:subject>network</dc:subject>
    
    
      <dc:subject>deaf03</dc:subject>
    
    
      <dc:subject>deaf00</dc:subject>
    
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>2000</dc:subject>
    
    <dc:date>2012-11-18T10:19:19Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/jennifer-kevin-mccoy">
    <title>Jennifer &amp; Kevin McCoy</title>
    <link>http://v2.nl/archive/organizations/jennifer-kevin-mccoy</link>
    <description>Jennifer &amp; Kevin McCoy (US) are a new media artist duo.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><span class="Apple-style-span">Jennifer&nbsp;</span><span class="Apple-style-span">Bozick-McCoy</span>&nbsp;and Kevin McCoy's work plays upon the capacity of new technology to fragment, store, and analyze audio and video material. Resulting projects include installations, performances, and net art that explore ideas of genre, interactivity, and automation. In New York City, their work has been exhibited at P.S.1, Postmasters Gallery, The New Museum, and The Swiss Institute. Commissioned projects include net art projects for The Walker Art Center, The Alternative Museum, and The Whitney Museum of American Art. International exhibitions include the ISEA festival in Manchester and screenings in Poland, Japan, Switzerland, France, Germany, and Holland. In 2001 they received an award for New Media from the Colbert Foundation and in 1999 they received the New York Foundation for the Arts grant in computer arts. Articles about their work have appeared in Spin Magazine, Feed, and The Independent. Jennifer and Kevin McCoy live and work in New York City and received MFA degrees from Rensselaer Polytechnic Institute.</p>
<p><span class="Apple-style-span"><br /><a href="http://www.mccoyspace.com/" target="_blank">http://www.mccoyspace.com/</a>
</span></p>
<div class="relatedItems">&nbsp;</div>
<div class="visualClear">&nbsp;</div>
<div style="text-align: right;" class="documentActions">&nbsp;</div>
<p>&nbsp;</p>
<div>&nbsp;</div>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Sofia Bustorff</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1996</dc:subject>
    
    
      <dc:subject>N5M</dc:subject>
    
    
      <dc:subject>artist</dc:subject>
    
    
      <dc:subject>author</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>interactive</dc:subject>
    
    
      <dc:subject>media</dc:subject>
    
    
      <dc:subject>sculpture</dc:subject>
    
    
      <dc:subject>sound</dc:subject>
    
    
      <dc:subject>video</dc:subject>
    
    <dc:date>2012-11-18T08:30:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/la-fura-dels-baus">
    <title>La Fura Dels Baus</title>
    <link>http://v2.nl/archive/organizations/la-fura-dels-baus</link>
    <description>La Fura Dels Baus is a Spanish cutting edge theatre company.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>&nbsp;<br /><br />La Fura started, in 1979, as a street theater group acting around Catalonia. Five years later, <em>Accions</em> (Actions) had its debut in Barcelona - and made La Fura famous. <em>Accions</em> showed some of the key elements of La Fura: audience interaction, site-specific adaptation of each show and the use of unusual spaces. In 1985, the piece <em>Suz/O/Suz</em> put La Fura on an international map. From 1990 on, the company searched for a more complex and sophisticated scenic language; and in <em>Noun</em> they embraced technologically advanced scenic resources. <br /><br />In 1992, La Fura was commissioned to perform at the opening ceremony of the Olympic Games held in Barcelona: <em>Mediterráneo, mar olímpico</em> made La Fura explore the possibilities of performances designed for a mass audience.<br />From 1996, La Fura developed various (two to four) projects at the same time under the direction of different members of the group:&nbsp; some for commercial, others following the La Fura aesthetics and language, here the first opera was staged.<br /><br />Starting a new millenium, La Fura developed <em>ØBS</em>, based on Macbeth, which explored new technologies, such as 3D images and the preparation of the project via videoconferencing.<br /><br />In 2001, <em>Fausto 5.0</em> was the first film created by La Fura - in collaboration with Isidro Ortiz; the film won the Melies Award for best fantastical European film.<br /><br />The search for new surroundings in which to perform that could be adapted to fit their aesthetic and artistic trajectory lead La Fura dels Baus, in 2004, to acquire an old cargo ship on which to construct the <em>Naumon</em> project. The boat, outfitted as a stage and a hub for performances, offered different scenic possibilities and sparked a series of performances, in different formats, centered around the idea of a journey, of an itinerant scenic setting.<br /><br />To the day, La Fura remains as one of the most innovative companies in the operatic world: <em>Sonntag aus Licht</em> is premiered and performed in different spaces within the Oper Köln, and has 3D scenes. <em>Quartett</em>, by Luca Francesconi, is a world premiere of Teatro alla Scala, where Susanna Malkki becomes the first woman conducting the Milanese orchestra. Iannis Xenakis' <em>Oresteia</em> is performed in the middle of the street, at the Karlsplatz in Vienna. <br /><br /></p>
<p><a class="external-link" href="http://www.lafura.com/web/eng/home.php">http://www.lafura.com</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>1995</dc:subject>
    
    
      <dc:subject>2000</dc:subject>
    
    
      <dc:subject>2003</dc:subject>
    
    
      <dc:subject>collective</dc:subject>
    
    
      <dc:subject>deaf00</dc:subject>
    
    
      <dc:subject>deaf95</dc:subject>
    
    
      <dc:subject>theater</dc:subject>
    
    
      <dc:subject>v2_lab</dc:subject>
    
    <dc:date>2012-11-13T10:00:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/kibla">
    <title>KIBLA</title>
    <link>http://v2.nl/archive/organizations/kibla</link>
    <description>KIBLA is a cultural organization and multimedia center in Maribor, Slovenia.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p>At the MMC KIBLA you can check out 
exhibitions, artistic performances, music events, or attend one of the 
literary evenings, discussions, symposiums, conferences, festivals from 
the fields of contemporary art, music, literature and their 
interdisciplinary forms, as well as current issues concerning culture, 
humanities, modern technologies and informal educational activities. The
 program is internationally and locally oriented and generally free, 
since we advocate free access to cultural goods. Special attention is 
paid to exhibition openings, where international public meets with the 
local.&nbsp;</p>
<p>KIBAR is a connected cyber bar (the rooms below host educational programs), a small, lovely bookstore 
Za:misel; Kibla also publish books and a bilingual magazine for art,
 culture and the joy of life called <em>Folio</em>, rich in picture materials and
 free.</p>
<p>Multimedia center KIBLA is located on the ground floor of Narodni dom in
 Maribor, Slovenia.</p>
<p><a class="external-link" href="http://www.kibla.org/en/?no_cache=1">http://www.kibla.org</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>admin</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>cultural</dc:subject>
    
    
      <dc:subject>cultural_organization</dc:subject>
    
    
      <dc:subject>exhibition</dc:subject>
    
    
      <dc:subject>internet</dc:subject>
    
    
      <dc:subject>lecture</dc:subject>
    
    
      <dc:subject>media</dc:subject>
    
    
      <dc:subject>organisation</dc:subject>
    
    
      <dc:subject>publisher</dc:subject>
    
    <dc:date>2012-11-12T19:37:55Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>


  <item rdf:about="http://v2.nl/archive/organizations/snijlab">
    <title>Snijlab</title>
    <link>http://v2.nl/archive/organizations/snijlab</link>
    <description>Snijlab are Christian Waber and Jiskar Schmitz.</description>
    <content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[
<p><span id="result_box"><span class="hps">Jiskar Schmitz (1986) uses his technical knowledge as mechanical engineer for the creative field. His advanced knowledge of mechatronics and elektronics are one of the pilars Snijlab. <br /><br />Christian Waber (1983) has experience in Computer Aided Desing trough study and teaching at the TU Delft. He was Inspired by the combination of CNC machinery and their creatieve use. With software and design knowledge on CAD he founded Snijlab together with Jiskar Schmitz to explore the large spectrum of possibilities and potential of lasercutting. <br /></span></span></p>
<p><span id="result_box">As Snijlab, they focus on </span>digital fabrication and online lasercutting:</p>
<p>"We believe that digital production should be simple, so you can spend time as a designer on the design. Snijlab therefore takes repetitive work off your hands.<br /><br />Computerized cutting is at present the most interesting technique for small scale useful, usable (end) products. The simplicity of the design in 2D and the availability of powerful and beautiful materials provides a huge potential for anyone. Whether for single pieces or series, prototypes or final products, everything is simple and quick to make.<br /><br />Designers and manufacturers have to mutually benefit from sharing knowledge. The power of a good product is not only a good designer or a good producer, it comes from a good combination of design, materials and production techniques."</p>
<p><a class="external-link" href="https://www.snijlab.nl">https://www.snijlab.nl</a></p>
]]></content:encoded>
    <dc:publisher>No publisher</dc:publisher>
    <dc:creator>Sofia Bustorff</dc:creator>
    <dc:rights>This information is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.</dc:rights>
    
      <dc:subject>2012</dc:subject>
    
    
      <dc:subject>Test_Lab</dc:subject>
    
    
      <dc:subject>design</dc:subject>
    
    
      <dc:subject>engineer</dc:subject>
    
    
      <dc:subject>laser</dc:subject>
    
    
      <dc:subject>researcher</dc:subject>
    
    <dc:date>2012-10-22T13:45:00Z</dc:date>
    <dc:type>Organization</dc:type>
  </item>





</rdf:RDF>
