Stephen Wilson (US) (1944-2011) was an artist and theorist.
Stephen Wilson lectures at the State University in San Francisco, and is an active artist. His work has been shown on electronic art festivals throughout the world. All his works are interactive. He works with speech synthesis, interactive performance (in theater for example), networking, artificial intelligence etc.
I am simultaneously awed and troubled about the course of scientific
and technological research. Historically the arts kept watch on the
cultural frontier. I fear that in the contemporary
technology-dominated world they are failing that responsibility.
Historically, the arts alerted people to emerging developments,
examined the unspoken implications, and explored alternative futures.
As the centers of cultural imagination and foment of our times have
moved to the technology labs, the arts have not understood the
challenge. It is a critical error to conceptualize research as merely
some narrow, technical specialized inquiry. Recent history has
shown that the fruits of research have transformed life and opened new
perspectives on basic philosophical questions such as what it is to be
human and what is the nature of the world. Merely assimilating
the new gizmos to create new media is a timid response.
The arts have a much more profound calling. They can become an independent zone of research - pursuing agendas ignored by commercial interests and scientific disciplines and integrating critical commentary with the search for new knowledge and the elaboration of new technical possibilities. Those who believe that the arts are now up to date because they pay attention to digital technology have misunderstood the course of history because the research goes on - investigating many other fields in which the arts should be proactive pioneers rather than merely consumers of the results. Learning new technologies, taking them apart (technically and culturally), and doing the provocative and unexpected with them is at the core of my art and gives me great satisfaction
As the world becomes more fascinated with the cyber and the virtual, I have become more interested in the use of technology to celebrate and investigate real world place, physicality, and corporeality. Thus, I have started to explore several new areas of research in my art including biological experimentation, body and environmental sensing, and GPS location sensing technology. Influenced by critical theory which questions art's claim to isolation, I have increased my actions to create art in non art settings and with non art audiences.
artist statement, http://userwww.sfsu.edu/~swilson/