DEAF03 - Data Knitting

DEAF03 Dutch Electronic Art Festival - Data Knitting

25
 
Feb 2003
 - 
9
 
Mar 2003
 
location: V2_ and various locations Rotterdam

From Wunderkammer to Meta-Data

Media are increasingly becoming means of constructing realities rather than representing reality. Media do not depict the existing world; they replace it with a different reality – a "media reality," or rather "media realities." How different media shape reality is a recurrent theme in the programs of V2_.

The DEAF03 program will focus on the artistic, political, cultural, social and software-related implications of techniques for data clustering (from Wunderkammer to Meta-Data). The program will emphasize the role of interactivity as a method to manipulate, transform and individually shape media realities. DEAF takes a fundamental interest in the present: a present which is condensing into an archive before our very eyes.

http://deaf.v2.nl/03

DEAF03 videos at YouTube

In various contemporary views the archive has proved to be a strong metaphor. The human body has become a genetic archive, now that it has been digitally opened up by the Human Genome Project. Culture, as found in museums and other art institutions and in magazines and cultural supplements as well, has been described as an archive that new art must both react against in order to be new and penetrate in order to be recognized as art. Our language is an archive of meanings that can be unlocked by philological methods. It teaches us who we are and where we come from. The unconscious is an archive of all the traumatic experiences that define our identity. History is a database from which facts can be arbitrarily retrieved, and now lacks one big unifying story.

It could be argued that the latter postmodernist view of the "fragmentation" and "deconstruction" of everything in the archive of history is related to the way in which data were stored and retrieved in the early days of the information age: via non-hierarchical, non-linear search engines. Digitally speaking, all data then were equal, whether they were text, image, sound, protocol, program code or anything else. Since the 1990's a new form of structuring digital archives has emerged. Now it is not just individual data that are stored in databases. The relationships and correlations between the various data are also being stored, by using "Meta-Data." Meta-Data (also known as "tags") are data that describe and categorize other data. Meta-Data as means of ordering, hierarchizing, streamlining and evaluating have become increasingly important social, political and economical instruments in an informational sphere long considered value-free.

Information isn't power, but knowledge is. Knowledge is tagged, or intelligently grouped and combined, information. Knowledge is the result of the (open or concealed, private or public, controllable or associative) knowledge management of data and data clusters.

Archives no longer just contain our past for inspection by historians, tax collectors and other researchers. We are permanently living in archives: All the sites we visit on the Internet are logged by our search engines. All our shopping is registered by our supermarkets. Each time we perform an electronic act we add information to the running archive of our activities as both individuals and members of target groups. On the basis of such archives the policies for the future are being planned, from marketing strategies to decisions about where to build shops. Behind almost every activity in the hard, material world nowadays hides an immaterial archive (for instance the storage of data from video surveillance and other security equipment). We are living in the world’s online archive, or more to the point, we are living in the world-as-archive, as a constellation of databases.

Because they are continuously available and accessible, archives have become an essential factor in acting in the present. One could even say that archives have become crucial in how the present is created and reflected upon. Archives are becoming just as process-like in character as the present already is. The individual's experience of the present can be increasingly described as the moment when an "unforeseen" link is forged between tagged information clusters that reach him or her through the media. Why does an archive allow one connection to be established and not another? Through which media and by what software can which connections be made within and between archives? And which connections are excluded by those media and software? What role does the individual play in this?

Knowledge can be imposed upon the users of archives, or it can be developed by them by using strategic tools and agents. A growing number of artists, artists' groups and architects are developing software-based systems in which data organize themselves into complex knowledge systems of which the users are but one of several organizing factors. Databases, software and archives are increasingly the objective of artistic interventions. DEAF03 will explore the artistic potential of databases and archives in very diverse forms.

(from the online Festival introduction)

Document Actions
Document Actions
Personal tools
Log in